Category Archives: Unit 2

Triangulate 03

Distilling the PHQ-9

Answering with a scale from 0 to 3 how you cope with a daily activity can be reasonably straightforward. But over time, the survey becomes more challenging, especially the questions regarding personal beliefs: 

6. Over the last two weeks, how often have you felt that you are a failure or have let yourself or your family down?

9. Over the last two weeks, how often have you thought that you would be better off dead?

On question 7 (Trouble concentrating on things, such as reading the newspaper or watching television), the PHQ-9 implies that depression can cause difficulties focusing. The impediment is caused by the prefrontal cortex freezing when we go into fight, flight or freeze mode. This part of the brain is responsible for reading, math, and other deep thinking.

When we struggle to focus on reading, we tend to skim, seeking specific information or the general idea of the content. The 1st time I did the test, I could read all of it with no issues. Once it became a regular thing, I started scanning through for the key points.
At one stage, I could only see two questions:

  • Have you let yourself or your family down?
  • Would you be better off dead?

The prefrontal cortex’s coping mechanism affecting focusing explains how I read the PHQ-9 as two questions. And the constant repetition of these did become a mantra, making them seem like assertions to me. But that was my personal experience. I still need to test the test through a less subjective method to see if the risk is there.

Seeking its core query, I’ve distilled the PHQ-9 through a refining system that consists of deleting five words at a time (six on the first stage to round it down to 100) without altering the text’s meaning. Once I reached the minimum amount of words per question, I started removing the less triggering questions. 

The final five words left say: would be better off dead. According to this, if we were to sum up the PHQ-9 in a single question (PHQ-1), it would be:

Do you think you would be better off dead?

For me, this was a suicide reminder. However, I did discuss it with a psychologist to hear their thoughts. We concluded that despite the new question losing its initial frequency measuring purpose (Over the last two weeks, how often) and becoming a binary choice – there is still a choice. There is the ‘NO’ option. What the PHQ-1 in disguise checks is whether the patient feels suicidal or not. The thing is that the question itself can boost how they feel. It might remind patients of their suicidal ideations, but it can also reaffirm the will to live if they’re experiencing progress. Either way, it reinforces their direction, which could affect their progress positively, but also comes with the risk of strengthening their suicidal side.

Triangulate 02.01

Feedback:

— highlighting the language this group uses is a nice addition. are there other ways you can do this (for example, including other specific language from NHS materials)?

— i like the inclusion of the self-assessment questions. they turn attention back to the urgency of the emotional questions, while also showing how uncomfortable it can be to use "survey" language to assess emotional wellbeing.

— i thought the red text was your own personal experience and reflections, but this one doesn't really fit in that category. have i misunderstood? 

— this level of detail is also really useful for people who are unaware of the range of treatments used for depression and anxiety. 

— you've come a long way with this piece. it now has a nice balance of personal experience, institutional context, medical context, etc. using different type treatments to differentiate these 'voices' is really useful.

— the main question now is: what else are you going to do with your writing? what else can live around this piece? what else can you accomplish with the writing?

— if you look back at the learning outcomes, you'll see that you haven't done much to contextualize this piece within GCD. there is loose enquiry/position 'enacted' through this piece, but it's very implicit. can you help the reader to understand how your use of GCD has developed your own understanding? can you put your work in relationship to other practices, other ideas about GCD, etc.?

Triangulate 01.2

Following the feedback from Triangulate 01.1, I turned the information I had documented into a cross-functional flowchart that includes the organisations, people involved and procedures. It aims to observe from a birds-eye view the process’ ramifications to help understand it.

It was then published as a 4-page tabloid newspaper along with an article I wrote about my experience seeking mental health support.

Depicting this muddled experience through a rigorous visual system did help understand why it felt the way it did. Plotting the route proved that the process is not unidirectional. It loops itself often, sometimes it splits into incompatible directions, and it has many dead ends. Even the trails that seem to move forward are repetitive patterns (i.e. referral – assessment – referral – assessment).

Everything that could be avoidable is labelled in red to try to correct the itinerary, aiming to pinpoint a clean way of doing it. There doesn’t appear to be any shortcuts though. We’re still left with a lengthy road after removing all the unnecessary steps. The issue seems to be the excess of entities encountered.

Triangulate 01.1

For the 1st studio-based practice I backtracked my path since I reached out for support from public institutions.

Feedback:

Right now all the viewer can see is chaos. Even if the purpose is to show chaos, it needs to be explained. Developing a strict and clear visual system might help.

Unit 2 recap

During the 1st half of Unit 2, I used Graphic Communication Design to research socio-political issues. The aim was to bring my experience and skills gained on commercial projects towards causes that benefit society. I believe design is a cog of our system; we can work it for the common good. I learned from other design practices with a similar ethos, such as Futuress or Forensic Architecture, that this is achievable through identifying topics that haven’t been discussed thoroughly enough yet and scrutinising them.

I started by using visual research to understand how gentrification is affecting my local community. Developing a more profound comprehension of a complex issue that affects my environment made me realise that I could use the same approach to understand personal circumstances.

Over the last couple of years, I’ve been on a personal journey that I’ve struggled to understand. I’m now using Unit 2 to map out that path and gain new perspectives that might help me make sense of it.

Iterate and Position

During Unit1 I often found myself over-extending on my researches. Branching out too much and losing sight of the original focus of the investigations, resulting in overly complex queries that would require an in-depth study each of their own. In Unit 2 I’m planning on setting stricter constraints to funnel any findings I come across and be able to fine-tune them.

“Constraints sharpen the perspective on the process and stimulate play within the limitations.”


Conditional Design Manifesto
Luna Maurer, Edo Paulus, Jonathan Puckey, Roel Wouters

The approach that I will withhold is testing by tensing, which consisted of confronting concepts against their opposites to increase contrast. Though in this case, it will be through expanding and compressing rather than a continuous expansion. Similar to how the body develops muscles. We stretch the muscle until it tears, it’s then the repairing of the fibres that increases the mass and size. This was brought into my 100 Screengrabs project through a continuous process that consisted of downscaling and upscaling images, forcing the software to fill in the missing information.

An example of this exercise of adding by subtracting used in the past could be Erased de Kooning Drawing by Robert Rauschenberg.

Erased de Kooning Drawing,
Robert Rauschenberg. 1953

When asked about his pitch to de Kooning, Rauschenberg said “I remember that the idea of destruction kept coming into the conversation, and I kept trying to show that it wouldn’t be destruction”. He was highlighting that subtracting was part of the equation which would then lead to a result. The act of erasing the image wasn’t withdrawing information, in any case, it was adding new visual and conceptual values that couldn’t have been gained otherwise.

After seeing the results of the micro-macro-micro-macro sequence on my 100 Screengrabs, I would like to apply this programming approach to other areas of design beyond image-making. Following Sol LeWitt’s artist manifesto: the process will be mechanical, running its own course. I’ll use it for graphic research on socio-political issues, in specific the ones that affect my local community.


Brief:

Parallel Universes of Brixton

Is gentrification the collision of different worlds or do each live in their isolated dimensions?


“This thing is about when worlds collide, and a lot of what has shaped Brixton has been the worlds that have been colliding here, but recently, those worlds aren’t colliding so much. In fact, some might say there are two parallel worlds existing in Brixton.”

Mike Urban,
Editor at BrixtonBuzz.com

Attracting developers and investors into an area could potentially bring prosperity, yet members of the community are sceptical about the promised benefits. Does bringing new businesses contribute to the local economic structure? Or do these end up pushing out the existing ones?


“You’re saying the community will benefit because of businesses. What businesses will they benefit from? The black part of Brixton, or the colour part of Brixton, is Station Road, is Electric Avenue. Have you sit here and watched as these new white persons walked past? They walked past all these shops in Station Road and go to Pop Brixton. OK? They don’t shop in the black shops and the shops of people of colour.”

Steadman Scott,
cofounder of Afewee Football Academy

The study will seek for junctions between the different business in the area, see if their audiences connect at any point or if they overlap without contact.